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Guide to digital photography and conservation documentation
Sounds geeky, but would love to get my hands on this book.

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Sounds geeky, but would love to get my hands on this book.

This is an interesting way to make digital photography more like good old analog. Fun idea, although I don’t know how the quality of the photos will be.
ckck:
Seems like IKEA are really shaking things up this year. In addition to the previously announced TV set, they’re also going to release a digital camera made of cardboard called Knäppa (“Snap”). It’ll hold 40 photographs at a time and plugs directly into your USB port. While it’s not the prettiest camera the world has ever seen, I do love the idea of a screen-less digital camera that brings people back to the wait-and-see days of film.
(via ohlordylord)
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An interview in Danish about the education in paintings and art conservation, from a fellow student of mine.
Great that we are getting the word around about our profession and the school!
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Beautiful Japanese papers, many of them, and you can zoom too!
It’s a decoration and ornaments book digitizied by the Smithsonian Institute Libraries.
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The Photographers Gallery in London reopens after a 18 months refurbishment. Seems like they have taken the challenge of displaying digital photography and how this can be used in a gallery setting. Next time I’m in London I’ll definitely have a look.
The video is made by The Guardian.
WE LOVE WIGGLES.
Reddit-user, Alexisfromparis, bought a stack of vintage stereographic photos, and turned them into wiggle GIFs for your viewing pleasure.
(Source: teachingliteracy, via soosixty)
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Found this art conservation blog, another resource of conservation relevant stuff.
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Preserving a Nuremberg Trial Document
This large chart from “United States Exhibits” (ARC ID: 6102180) was presented by the US prosecuting staff in the trial of major German war criminals under Count I (The Common Plan and Conspiracy) before the International Military Tribunal (IMT) at Nuremberg, Germany.
The chart on heavy paper had previously been folded to fit in a document box. It was passively humidified and flattened under blotters and weights. The original adhesive on many of the labels was desiccated and most labels were detached. After the RG 238 chart was flattened, conservators reattached the labels in place with wheat starch paste. Now it will be stored flat.
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LOS ANGELES — Jordan Mechner saved everything.
He saved all the videotape he took in October 1985 of his brother running and jumping around their old neighborhood, footage that he rotoscoped into the animations for his Apple II game Prince of Persia. He saved all of the meticulous journals he kept of the production process, documenting each tiny step of the creation of the landmark hit game.
When he was working on Prince of Persia: The Sands of Time in 2002, the new game’s programmers wanted to add Mechner’s classic to their PlayStation 2 update as an Easter Egg, and asked if he had the source code.
No problem, Mechner thought. I saved everything.
… but then he realized, maybe he didn’t.Read more about the geeks who saved Prince of Persia’s source code from digital death.
[Photo by Dan Krauss/Wired]
(Source: Wired)
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Interview of textile conservator Kira Eng-Wilmot at Cathedral Church of St. John the Divine in New York City.

Getting rid of mold will always be one of the less inspiring sides to conservation, but nevertheless necessary.
When Records Get Dirty
Over the past four years, Preservation Programs in St. Louis has been dealing with a few extremely nasty problems—namely, mold infestation and bird guano.
Some of the mold was related to the 1973 fire, at the National Personnel Records Center (NPRC). Other areas had leaks that developed after the 6th floor was demolished (because it had burned), and the fire suppression and pipe systems had to be re-adjusted.
But how did the bird guano get into the records? St. Louis is known for its extremely hot and humid summers, and in our old building many of the non-archival records storage areas weren’t climate controlled. The staff members frequently opened the windows (removing the screens, for some reason), and in flew the birds. You can guess the rest. We found nests. We found feathers. We even found eggs.
We didn’t want to bring these contaminated records to our clean, new, archivally climate-controlled building. We received funding to have most of them—12,372 boxes’ worth—sent away to be gamma radiated, at a cost of nearly $1.5 million.
But first we had to survey all of the boxes. We found 14,719 cubic feet of moldy records and 8,200 cubic feet of boxes with guano in them. The preservation technician in the above photo didn’t actually treat the records; the guano-infested boxes were hauled away for cleaning by movers in full hazmat suits. Techs weren’t even allowed to touch the guano boxes, so that we didn’t spread contaminated material during the survey.
Thankfully, the project is nearly over. And while there is still more work to be done, we were able to make the records safe to handle for future use.
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1 of May I posted a link to an article about Photobooth, this San Francisco based photography studio. Here is a video where the owner Michael Shindler explains the procedure of making a tintype. Awesome!
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The US NCPTT and National Park Service have possibly made the first ever emergency response support app. It outlines the steps to take such as stabilize the environment and asses the damage, when a disaster such as flooding happens. Also there is tips on how to handle different materials, such as photographs, documents, textiles, furniture and stone.


It might not be a design beauty, but it’s a nice and handy tool for anyone working with cultural and natural heritage.
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Silver & Light by Ian Ruther. Beautiful tintype photography, never seen them that big before and it’s a beautiful story as well.
As I mentioned in an earlier post, there seems to be a newfound interest in old “outdated” techniques. Not only in photography, just think of people with digital music collections still buying LP records or the movie “the artist” winning all those oscars.